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Lyme Regis Arts Festival Jurassic Coast · Est. 2007

Exhibitors & Apply

The 2024 lineup. The 2025 open call.

Last August, 184 independent makers turned Lyme Regis into a ten-day open-air gallery — from printmakers in Georgian shopfronts to ceramicists on the Cobb and invited sculptors on the seafront lawn. Applications are now open for the next edition on Dorset's Jurassic Coast.

From the 2024 programme

A working harbour turned gallery, for ten days every August.

Twenty-seven venues across the town — from the Town Mill courtyard to clifftop gardens, the Marine Theatre, and the working boatshed on the Cobb. Below, a cross-section of last year's disciplines.

An invited Royal Society of Sculptors maker's bronze work on the Lyme Regis seafront
Sculpture

24 invited makers from the Royal Society of Sculptors

Programming partner since 2019 — shown on the seafront lawn and along the Cobb.

A ceramicist at work in a Lyme Regis studio
Ceramics

Wheel-thrown and hand-built stoneware

From functional tableware to one-off vessels — 38 ceramicists in the 2024 lineup.

A printmaker pulling an etching in a Lyme Regis studio
Printmaking

Etching, linocut, screen print

Original editions shown in the Georgian shopfronts along Broad Street.

A pop-up painting gallery in a Lyme Regis shopfront
Painting

Painting and mixed media across 12 indoor venues

Marine Theatre, Town Mill, and a dozen town-centre rooms converted for ten days.

Who we accept

Three things the panel looks for.

We welcome independent makers, ceramicists, painters, printmakers, sculptors, photographers, illustrators, galleries representing living artists, and Dorset artisan food producers. Before you apply, read the three pillars below.

01

Originality of work

Pieces you have designed or made yourself, in editions you control. Resold wholesale goods, third-party prints, and high-volume craft imports are not in scope — the festival is curated craft, not a market.

02

Craft and material honesty

The panel is drawn from practising makers and curators. We are looking for considered material choices — thrown clay, etched plate, patinated bronze, hand-pulled screen, hand-stitched textile — rather than mass-produced decoration.

03

Connection to the Jurassic Coast story

Every year we programme alongside the Dorset Wildlife Trust and the UNESCO Jurassic Coast team. Work that responds — loosely or directly — to the coast, the cliffs, the sea, or the town's working harbour is welcome.

How it works

From application form to confirmed slot.

The selection process is run by a five-person panel chaired by a practising maker and including two trustees, the festival director, and our programming partner liaison.

  1. Submit the application form

    A short online form covering your practice, last three years' exhibiting history, and eight images of current work. There is no application fee. Decisions are made twice for the 2025 edition.

  2. Panel review

    Your application is read against the three pillars by the full panel. You will receive a written outcome by email — a yes, a waitlist offer, or a no with a paragraph of feedback.

  3. Studio visit if shortlisted

    Shortlisted Dorset and South West makers are offered a relaxed studio visit from a panel member. Makers travelling from further afield will have a video call in place of a visit.

  4. Final confirmation and venue match

    Confirmed makers are matched to one of the 27 venues by the festival team — courtyard, shopfront, seafront lawn, indoor gallery, or boatshed — and sent the full exhibitor pack.

By the numbers

An established platform, not a speculative event.

184

Exhibiting artists across the 2024 programme — the largest lineup to date.

27

Venues across Lyme Regis — from Town Mill to the boatshed on the Cobb.

31,400

Visitors over the 10-day run in 2023 — a record attendance for the festival.

£42k

Awarded in 2024 by Arts Council England's National Lottery Project Grants.

I have shown at county shows and small galleries for fifteen years, but the Lyme Regis festival is the first time my work has sat against the cliffs that inspired it. People came back three times — once to look, once to bring a friend, once to buy. By Sunday I had sold everything I had brought and a waiting list for the work still on the kiln shelf.

— Helena Bray

Ceramicist, 2024 exhibitor · invited maker, Royal Society of Sculptors partner showcase